smooth like butter like a criminal undercover meaning

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Their eyes met and they both were set aback. She took up the remaining available space, lifted her head, and pulled back her hair.

He offered her shelter under the awning with a wave of his hand. With her head down and her hair drenched, her identity remained a mystery. The heels from a shapely stranger were clacking on the pavement as she approached. He was waiting a the taxi under a small awning on the barely lit street. It was pouring like C’s and D’s in the big city. Set Stage: Outdoors / city street scene / nighttime / raining You know, “Sweep you up like a rubber” could be very romantic if you tilt your thinking just a bit okay, a LOT, but still. So I looked up the lyric, and he is saying “robber”, well ok then what does that line mean? I kind of get it, but its a really awkward lyric, just sort of squashed in there to sound like it rhymes, but really the line is just plain lousy. Most commonly a rubber is a pencil eraser, or plural rubbers mean galoshes, or back in Elizabethan times a rubber was a strip of linen cloth to wash the face with, well but then what does that line mean with any of these meanings.Īnd in American English, a “rubber” is slang for a condom, so I heard it first that way, and I was a bit puzzled. Now, “rubber” in British English might make sense, because they use the word rubber as a noun. “Other” is pronounced uh-ther, so one expects the rhyme should be “rubber”, but it a mis-pronounced “robber”. Also, for some parts, the English is unintelligible, but the score is not elevated by this.įor example, let us deconstruct the line “Ain’t no other, that can sweep you up like a robber”. The one line “Get it let it roll” is catchy. It tries to rhyme, but most of the rhymes are imperfect and don’t work as well and one would hope. I would rate the English lyrics overall as kind of bland. It’s got a classic “sound of summer” charm, and this time I’ll wholeheartedly welcome its inevitable omnipresence. And at just under three minutes, Butter never hits a dull moment. The rap here is attuned to the song’s flow, bringing another shot of rhythm to the bounding instrumental. Its chorus is instantly memorable yet never cloying, and glides into a euphoric, brass-kissed breakdown before we hit the bridge. The vocal arrangement here is brilliant – something I don’t often say about Big Hit productions these days.īut, Butter’s core appeal comes down its surging energy. It sidesteps the perils of a momentum-killing breakdown by diving back into that slinky bass that opened the track.

Smooth like butter like a criminal undercover meaning full#

The instrumental continues to build into the pre-chorus, joined by brilliant synth that explodes as the chorus hits with full intensity. And unlike Dynamite, it manages to feel distinctly BTS despite the layers of studio polish thrown over the top.īutter wastes no time laying down its funk backbone, charging forward with a chugging beat that quickly deepens with the injection of rubbery bass. It’s pop music with a capital “P,” unashamed by its own audacity. The groove is more dynamic, the vocals clearer, the lyrics less jarring and the energy more effusive. I’m not sure I hear a ton of Jam and Lewis in Butter’s explosive recipe, but the song improves upon Dynamite in every single way. Their names are on my personal Mount Rushmore of music, so seeing them referenced brought an instant smile to my face. Then, I read about the track taking influence from classic r&b/pop producers Jimmy Jam and Terry Lewis.

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So, when it was announced that Butter would be another English-language pop song, I wasn’t sure how to feel about the guys continuing down this route. It’s a feat I’d never thought possible for a K-pop act, and one I find myself resisting more than I’d like to admit. BTS’s Dynamite has become the kind of ubiquitous megahit you hear soundtracking everything from talk shows to award show advertisements.